National Features >

  • Broward-Palm Beach New Times

    The Agent from Iran

    How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.

    By Deirdra Funcheon

  • Westword

    Murder By Design

    In life and death, tattoo artist Kauri Tiyme made her mark.

    By Alan Prendergast

  • Village Voice

    My Brother the Slumlord

    Amy Neustein never could resist going public with her family dramas.

    By Elizabeth Dwoskin

  • Houston Press

    The Ghosts of Galveston

    A visit with the hurricane victims that a country forgot.

    By John Nova Lomax

Location, Location, Location

Deadline, deadline, deadline

By Robrt L. Pela

Published on February 27, 2008 at 4:00am

Poor Melvyn. His daily walk, which usually doesn’t amount to much more than waving at or chatting up his neighbors, is today filled with crises and mayhem. Plus, it’s really hot out, since Melvyn lives in Phoenix.

The PG-13 film Melvyn's Clock is the work of Tennessee-based husband-and-wife filmmakers Jon Russell and Tracy Cring, who shot the flick entirely in Arizona earlier this year. The shoot took less than a month, a conceit of the couple’s Extra/Ordinary Film Project, which intends to make 12 feature-length movies in 12 months. Melvyn's Clock is the eighth of the dozen films, and its première here will no doubt be well-attended by the many actors and extras from the location shoots in Sedona, Wickenburg, Apache Junction, Prescott, Queen Creek, Tempe, Sun City, Paradise Valley, Chandler, Scottsdale, and Litchfield Park.

Forget about people. It’s these locations, Cring says, that are the real stars of the film. “Hollywood is mainly concerned about what stars they can place in movies,” Cring insists. “But we make our stories and tales, and the action they weave are the stars of our movies.” Cring’s filmic philosophy appears to be working. The duo’s previous seven flicks have been warmly received at various festivals.


Thu., Feb. 28, 7 p.m., 2008