National Features >

  • Broward-Palm Beach New Times

    The Agent from Iran

    How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.

    By Deirdra Funcheon

  • Westword

    Murder By Design

    In life and death, tattoo artist Kauri Tiyme made her mark.

    By Alan Prendergast

  • Village Voice

    My Brother the Slumlord

    Amy Neustein never could resist going public with her family dramas.

    By Elizabeth Dwoskin

  • Houston Press

    The Ghosts of Galveston

    A visit with the hurricane victims that a country forgot.

    By John Nova Lomax

Suicide Squeeze

What would happen if Darryl Strawberry was a girl? This.

By Leslie Barton

Published on March 19, 2008 at 4:00am

The Sweetest Swing in Baseball is a comedy for smart people. Funny girl Neda Tavassoli playfully chews the scenery, portraying the play’s protagonist, Dana Fielding, as a famous but paranoid artist who ends up in an institution after attempting suicide over a failed exhibition and the loss of her lover. Preferring her new, ordered world, she trades art lessons to fellow inmates for baseball stats so she can complete her transformation into Darryl Strawberry, the New York baseballer infamous for his own fall from grace.

So is it a compliment to tell a playwright she’s a female version of Tennessee Williams, as some have done with Swing author Rebecca Gilman? No, asshole, it’s not, and we think Gilman would agree. A former Pulitzer Prize finalist, Gilman wrote The Sweetest Swing as a response to critics who pass easy judgment on those who sweat their “art” in full view of the public. Director Deborah Carrick of Arizona Women’s Theatre Company, the producing troupe, says she appreciates Gilman’s work because of its dark humor, lack of preachiness, and the “sense that the story will continue on . . .”


March 21-22, 8 p.m., 2008