National Features >

  • Broward-Palm Beach New Times

    The Agent from Iran

    How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.

    By Deirdra Funcheon

  • Westword

    Murder By Design

    In life and death, tattoo artist Kauri Tiyme made her mark.

    By Alan Prendergast

  • Village Voice

    My Brother the Slumlord

    Amy Neustein never could resist going public with her family dramas.

    By Elizabeth Dwoskin

  • Houston Press

    The Ghosts of Galveston

    A visit with the hurricane victims that a country forgot.

    By John Nova Lomax

Writers of the Purple Prose

One picture’s worth a thousand atavistic contemplations

By Clay McNear

Published on April 03, 2008 at 4:00am

Michael Lundgren takes a nice pic. His silver-gel landscapes offer unadorned depictions of our lovely, denuded desert. Odds are, you’ll like ’em.

So God forbid the works should be allowed to speak for themselves. No, their meanings must be spelled out, tediously, in terms you have no hope of understanding. Well, we’re taking a stand, right here, right now, against artspeak and its unholy offspring, the “artist statement.” To wit, an excerpt from Lundgren’s personal manifesto: “[The] images are an atavistic contemplation of the origin, drawing out the mythological potential of the desert. The landscape is only discernible because of the presence of what is fundamentally absent. Myth and metaphor remain unfixed, open.”

Say freakin’ what?!


Tuesdays-Saturdays. Starts: April 3. Continues through May 3, 2008