National Features >

  • Broward-Palm Beach New Times

    The Agent from Iran

    How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.

    By Deirdra Funcheon

  • Westword

    Murder By Design

    In life and death, tattoo artist Kauri Tiyme made her mark.

    By Alan Prendergast

  • Village Voice

    My Brother the Slumlord

    Amy Neustein never could resist going public with her family dramas.

    By Elizabeth Dwoskin

  • Houston Press

    The Ghosts of Galveston

    A visit with the hurricane victims that a country forgot.

    By John Nova Lomax

Let’s Do Lynch

The worm turns in Chandler

By Leslie Barton

Published on April 16, 2008 at 4:00am

Any David Lynch film can be difficult to wrap your head around, but to cram the documentary Lynch (one) (2007), Inland Empire (2006), The Short Films of David Lynch (2002), and Eraserhead (1977) into a single package like the David Lynch Marathon is downright diabolical, and we couldn't be more delighted. We were so thrilled to hear the news, in fact, that we slipped into our old prom dress, masturbated with a shoehorn, and chain-smoked black-velvet paintings. Very Lynchian.

As is Eraserhead. Lynch has said that the film was inspired by the city of Philadelphia. Filmed in the stables of a 55-room mansion in Los Angeles when he was a student, it took five years to finish. Thankfully, independent film legend Ben Barenholtz got Lynch his first screening at the Los Angeles Film Ex in the late 1970s, and the rest is midnight-movie history. We dig the quote-unquote mainstream films, but this is the worm-turner that wrought the madness.


April 18-20, 2008