Recent Articles

Recent Articles by Jason Harper

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  • Houston Press

    The Passion of Victoria Osteen

    A flight attendant's smackdown with the wife of mega-preacher Joel Osteen inspires a whole new set of commandments.

    By Rich Connelly

  • City Pages

    Your Field Guide to the RNC

    Today Denver, tomorrow the Twin Cities.

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  • The Pitch

    Star Power

    A country musician rescues Waylon Jennings' tour bus from the scrap heap.

    By C.J. Janovy

  • Village Voice

    Serrano's Second Movement

    The provocateur who brought you "Piss Christ" pinches off a new concept.

    By Lynn Yaeger

Republic Tigers

By Jason Harper

Published on July 24, 2008

A crew of Digital Age composers, the Republic Tigers pass around song files like intraband demos, loading them onto ProTools rigs and sculpting massive creations from the initial song chunks. Starting with the hard elements of rock — guitar, drums, bass line, melody — the Kansas City band stacks vocal layers, atmospheric keyboards, sampled sounds, chimes, echoes, hums, whirs and whatever else sounds good at the time. In creating these brilliant, crystalline pop hymns, the Tigers blur the line between old-fashioned songwriting and computerized song-making. "The Nerve," a song found on its debut Keep Color about a robot boy longing for a human girl, illustrates the concept perfectly.



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